Prologue
- Constant
- Spring Valley, NY, United States
- DBrklyn Studios, founded in 2002 by Constant, got its start in Killeen, TX. As founder of his business, Constant has reached far within the edges of the world to bring people from Jersey, NY, Virginia, NC, Germany, Hawaii, Korea, and many more places together to create history in the making. Constant teamed up with FluiD to form Double Infinity Entertainment
Saturday, May 16, 2009
Windy 25
An incident happened Apr. 2005 in Afghanistan that changed my life forever. This is my unit in Germany, the tightest group of people I've ever been around. Because of the transitions the army has encountered, many of the soldiers from Big Windy and 12th AVN have gone their separate ways. You all are still my brothers and sisters in my eyes... and will be.
R.I.P. Windy 25 (ACFT 100)
CW2 Clint Prather (PC)
CW2 David Ayala (PI)
SSG Charles Sanders (FE)
SPC Michael Spivey (CE)
SPC Pendelton Sykes (gunner)
Sunday, February 15, 2009
Tuesday, February 10, 2009
Monday, February 9, 2009
Capone at his best
THE FUNNIEST SHIT I EVER HEARD FROM CAPONE!!! TELL IT LIKE IT IS. HE COPIED BERNIE MAC'S STYLE THOUGH... BUT THAT'S WHAT MADE MAC SO GREAT.
Sunday, February 1, 2009
SOME BACK IN THE DAY SHIT
CUBASE ORIGINATED THROUGH ATARI. IT WAS 1st INTRODUCED IN 1989 RAN ON THE ATARI 520ST AND THE ATARI 1040ST. TAKING IT WAY BACK... AND IT'S WAS USED FOR MIDI ONLY.
STEELERS WIN THEIR 6th SUPERBOWL!!!
TAMPA -- Do you believe in miracles?
The longest play in Super Bowl history -- a 100-yard interception return for a touchdown by Pittsburgh linebacker James Harrison -- was overshadowed by a breathtaking, helter-skelter second half of what may have been the most exciting Super Bowl ever.
Just when it looked like the Arizona Cardinals had authored the greatest comeback in Super Bowl history -- scoring 16 unanswered points in the fourth quarter -- the Steelers answered with a monstrous, improbable drive. Ben Roethlisberger's seven-yard touchdown pass to Santonio Holmes with 35 seconds left gave Pittsburgh a soaring 27-23 victory over the Cardinals on Sunday night at Raymond James Stadium.
The Drive
ARI2 (Kick formation) Je.Reed extra point is GOOD, Center-J.Retkofsky, Holder-M.Berger.
2-6 ARI6 (:42) (Shotgun) B.Roethlisberger pass short right to S.Holmes for 6 yards, TOUCHDOWN. The Replay Assistant challenged the pass completion ruling, and the play was Upheld.
1-6 ARI6 (:48) (Shotgun) B.Roethlisberger pass incomplete short left to S.Holmes.
Timeout #3 by PIT at 00:49.
2-6 ARI46 (1:02) (Shotgun) B.Roethlisberger pass short right to S.Holmes to ARI 6 for 40 yards (A.Francisco).
Timeout #2 by PIT at 01:02.
1-10 50 (1:08) (No Huddle, Shotgun) B.Roethlisberger scrambles up the middle to ARI 46 for 4 yards (C.Okeafor, K.Dansby).
1-10 PIT39 (1:33) (No Huddle, Shotgun) B.Roethlisberger pass short right to N.Washington to 50 for 11 yards (A.Wilson).
3-6 PIT26 (1:56) (Shotgun) B.Roethlisberger pass short right to S.Holmes to PIT 39 for 13 yards (K.Dansby).
Two-Minute Warning
2-6 PIT26 (2:00) (No Huddle, Shotgun) B.Roethlisberger pass incomplete deep right to N.Washington (A.Francisco).
1-20 PIT12 (2:24) (Shotgun) B.Roethlisberger pass short right to S.Holmes to PIT 26 for 14 yards (D.Rodgers-Cromartie).
1-10 PIT22 (2:30) (Shotgun) B.Roethlisberger pass short left to M.Moore pushed ob at PIT 21 for -1 yards (A.Wilson). PENALTY on PIT-C.Kemoeatu, Offensive Holding, 10 yards, enforced at PIT 22 - No Play.
Santanio Holmes was the MAN on that drive
2-6 ARI6 (:42) (Shotgun) B.Roethlisberger pass short right to S.Holmes for 6 yards, TOUCHDOWN. The Replay Assistant challenged the pass completion ruling, and the play was Upheld.
1-6 ARI6 (:48) (Shotgun) B.Roethlisberger pass incomplete short left to S.Holmes.
Timeout #3 by PIT at 00:49.
2-6 ARI46 (1:02) (Shotgun) B.Roethlisberger pass short right to S.Holmes to ARI 6 for 40 yards (A.Francisco).
Timeout #2 by PIT at 01:02.
1-10 50 (1:08) (No Huddle, Shotgun) B.Roethlisberger scrambles up the middle to ARI 46 for 4 yards (C.Okeafor, K.Dansby).
1-10 PIT39 (1:33) (No Huddle, Shotgun) B.Roethlisberger pass short right to N.Washington to 50 for 11 yards (A.Wilson).
3-6 PIT26 (1:56) (Shotgun) B.Roethlisberger pass short right to S.Holmes to PIT 39 for 13 yards (K.Dansby).
Two-Minute Warning
2-6 PIT26 (2:00) (No Huddle, Shotgun) B.Roethlisberger pass incomplete deep right to N.Washington (A.Francisco).
1-20 PIT12 (2:24) (Shotgun) B.Roethlisberger pass short right to S.Holmes to PIT 26 for 14 yards (D.Rodgers-Cromartie).
1-10 PIT22 (2:30) (Shotgun) B.Roethlisberger pass short left to M.Moore pushed ob at PIT 21 for -1 yards (A.Wilson). PENALTY on PIT-C.Kemoeatu, Offensive Holding, 10 yards, enforced at PIT 22 - No Play.
Santanio Holmes was the MAN on that drive
Saturday, January 31, 2009
Friday, January 30, 2009
Executive Order #XLIII
President Barack Obama issues a statement showing his loyalty to the Steelers.
Thursday, January 29, 2009
GIANTS FAN CRIES LIKE A FUCKIN' LITTLE GIRL
THIS IS WHY I CAN NEVER LIKE THE GIANTS. WHEN I WAS 13, I WITNESS SOME BULLSHIT LIKE THIS (not as bad though). GET OVER IT. I'M A NINERS AND JETS FAN... YOU WON'T HEAR ME BITCHING.
HIP HOP's GREATEST AREN'T GIVEN A CHANCE TO SPEAK THEIR MIND
BIG L, BIG PUN, AND BIGGIE... THREE OF THE MANY CATS OUT THAT MADE IMPRINTS ON HISTORY HAD THEIR LIVES SHORTENED OVER NON-SENSE. DID ANYONE FIND WHO KILLED PAC? NO!!! BIGGIE? NO!!! WHY IS IT WHEN A HIP HOP ARTIST MAKES AN IMPACT SO EXCLUSIVE, THEY AIN'T HERE NOW? DOES THE 1st AMENDMENT ONLY APPLY TO SOME??? THINK ABOUT IT.
Meet The Producers Interview
Friday, July 20, 2007
Constant Interview (Feb 2007 MTP Beat Battle Champ)
Meet The Producers - Where are you from?
Constant - I am originally from Willingboro, NJ, but l live upstate NY now.
MTP - When and Why did you start producing?
C - I started producing in 2002. FluiD was producing for a little bit and sent a beat CD to me when I was living in TX. I said to myself, shit, I can do this and better. Being his twin brother, we've always been in close competition with everything we do whether it be music, sports, or whatever.
MTP - What was your first piece of equipment and what do you use now?
C - At first, I started using Fruity Loops like many new beat makers. At that time that's all I was. Then I went to Germany where I became a PRODUCER. I used other folks equipment along with what I added to the studio. Now I use the Motif ES, mixer, Pro Tools, and sometimes FL every now and then. I also create new drum sounds using live instruments.
MTP - How was the German production/Hip Hop scene different from America?
C - The demand for American hip hop in Germany is greater than stateside because they don’t get the quality from their artists as we do on an everyday basis. They do have a few amazing producers in various cities. Fans would repeatedly thirst for more from a couple of my artists. It felt like Jay-Z was coming to town even though we were unknown to the American listeners. Doing a show 2 weeks before I left with Poetry N Motion’s Michael Ameer topped it all. Overall, Germany is a great place to get your start.
MTP - Do you have any professional training in any particular instrument?
C - Yes, on the drums and the clarinet.
MTP - Do you collect records and how do you feel about the diggin culture?
C - I have a few, but I feel having sample free beats shows the more creative side of me.
MTP - What producers do you look up too?
C - Timbaland, Premier, RnR, Tony D, and Marley Marl.
MTP - What’s it like being in a beat battle?
C - MTP was my first battle and with the crowd listening to my beats for the first time, it was a nerve racking experience. I was scared as hell because, I didn't have a clue how it was gonna be run and I wondered "are these folks gonna feel me".
MTP - How can it help a producer?
C - Its a good place and opportunity for people to network, whether you are a producer or an artist. Any event where you can put your music out there to be heard can and will show the producer where he/she is and where they need to be.
MTP - Whats your thoughts on the whole keyboard vs. sample beat discussion?
C - Sampling is the foreground of hip hop instrumentals. The samples producers flip, chop, and cut gives a certain energy and vibe to their mix. Playing out melodies is my thing though. I feel "I created that beat; that's my track... not anyone else's". Most listeners don't care what they hear as long as it sounds good to them. Well, I make music for me first and if other people feelin' it good. I do sample every now and then, but it goes along with my quote... "Creation is inspired by the relic of the innovator's persuasion" -Constant '05
MTP - What is your "dream" keyboard?
C - Yamaha Motif XS 8
MTP - How do you feel about the beats that are used in music today?
C - There are a lot of producers that upstage the common producer. From the music I hear today producers still aren't given their credit they deserve. It's just like hip hop artists though... the best producers aren't mainstream. Take MTP for instance... I heard beats off the folks that didn't make it to the finals like Future, Quest, and Kingshon that are right up there with the best of mainstream.
MTP - What is the worst studio session you have ever been involved with?
C - There was a cat in the hat rapper tryna tell another producer how to do their job. It wasn't my session until I made it a point to let them know, if you don't understand what a producer does, keep your mouth shut. A good session to me requires the artist to have a solid understanding of what the producer does. With a bad producer/artist relationship it makes it harder than it needs to be to create what you want.
MTP - What projects are you currently working with?
C - I'm currently working on Sumecca's album "Sumecca Forever". We have 30 tracks recorded and are going through them to decide which tracks to put on the actual album. I am also working on Volume 5 of my 4 Seasons Mixtape series.
MTP - Whats something the readers may not know about you?
C - Folks come to my myspace page and think I'm from Brooklyn because my screen name is "DBrklyn Studios". It's actually my daughters name... Danisa Brooklyn.
MTP - Whats your contact info?
C - www.myspace.com/dbrklynstudios # (845) 558-6540
MTP - Any last words?
C - GOD, MOMS, my wife, Trevor, the real DBrklyn (my daughter), Sumecca (100 G's), Anon, Doe-Low, FluiD, Tracy Ross... Ya'll made this shit possible!!!
Posted by Meet The Producers at 9:33 PM
Labels: battle, beats, constant, jersey, mtp, producer
Constant Interview (Feb 2007 MTP Beat Battle Champ)
Meet The Producers - Where are you from?
Constant - I am originally from Willingboro, NJ, but l live upstate NY now.
MTP - When and Why did you start producing?
C - I started producing in 2002. FluiD was producing for a little bit and sent a beat CD to me when I was living in TX. I said to myself, shit, I can do this and better. Being his twin brother, we've always been in close competition with everything we do whether it be music, sports, or whatever.
MTP - What was your first piece of equipment and what do you use now?
C - At first, I started using Fruity Loops like many new beat makers. At that time that's all I was. Then I went to Germany where I became a PRODUCER. I used other folks equipment along with what I added to the studio. Now I use the Motif ES, mixer, Pro Tools, and sometimes FL every now and then. I also create new drum sounds using live instruments.
MTP - How was the German production/Hip Hop scene different from America?
C - The demand for American hip hop in Germany is greater than stateside because they don’t get the quality from their artists as we do on an everyday basis. They do have a few amazing producers in various cities. Fans would repeatedly thirst for more from a couple of my artists. It felt like Jay-Z was coming to town even though we were unknown to the American listeners. Doing a show 2 weeks before I left with Poetry N Motion’s Michael Ameer topped it all. Overall, Germany is a great place to get your start.
MTP - Do you have any professional training in any particular instrument?
C - Yes, on the drums and the clarinet.
MTP - Do you collect records and how do you feel about the diggin culture?
C - I have a few, but I feel having sample free beats shows the more creative side of me.
MTP - What producers do you look up too?
C - Timbaland, Premier, RnR, Tony D, and Marley Marl.
MTP - What’s it like being in a beat battle?
C - MTP was my first battle and with the crowd listening to my beats for the first time, it was a nerve racking experience. I was scared as hell because, I didn't have a clue how it was gonna be run and I wondered "are these folks gonna feel me".
MTP - How can it help a producer?
C - Its a good place and opportunity for people to network, whether you are a producer or an artist. Any event where you can put your music out there to be heard can and will show the producer where he/she is and where they need to be.
MTP - Whats your thoughts on the whole keyboard vs. sample beat discussion?
C - Sampling is the foreground of hip hop instrumentals. The samples producers flip, chop, and cut gives a certain energy and vibe to their mix. Playing out melodies is my thing though. I feel "I created that beat; that's my track... not anyone else's". Most listeners don't care what they hear as long as it sounds good to them. Well, I make music for me first and if other people feelin' it good. I do sample every now and then, but it goes along with my quote... "Creation is inspired by the relic of the innovator's persuasion" -Constant '05
MTP - What is your "dream" keyboard?
C - Yamaha Motif XS 8
MTP - How do you feel about the beats that are used in music today?
C - There are a lot of producers that upstage the common producer. From the music I hear today producers still aren't given their credit they deserve. It's just like hip hop artists though... the best producers aren't mainstream. Take MTP for instance... I heard beats off the folks that didn't make it to the finals like Future, Quest, and Kingshon that are right up there with the best of mainstream.
MTP - What is the worst studio session you have ever been involved with?
C - There was a cat in the hat rapper tryna tell another producer how to do their job. It wasn't my session until I made it a point to let them know, if you don't understand what a producer does, keep your mouth shut. A good session to me requires the artist to have a solid understanding of what the producer does. With a bad producer/artist relationship it makes it harder than it needs to be to create what you want.
MTP - What projects are you currently working with?
C - I'm currently working on Sumecca's album "Sumecca Forever". We have 30 tracks recorded and are going through them to decide which tracks to put on the actual album. I am also working on Volume 5 of my 4 Seasons Mixtape series.
MTP - Whats something the readers may not know about you?
C - Folks come to my myspace page and think I'm from Brooklyn because my screen name is "DBrklyn Studios". It's actually my daughters name... Danisa Brooklyn.
MTP - Whats your contact info?
C - www.myspace.com/dbrklynstudios # (845) 558-6540
MTP - Any last words?
C - GOD, MOMS, my wife, Trevor, the real DBrklyn (my daughter), Sumecca (100 G's), Anon, Doe-Low, FluiD, Tracy Ross... Ya'll made this shit possible!!!
Posted by Meet The Producers at 9:33 PM
Labels: battle, beats, constant, jersey, mtp, producer
CONSTANT/SUMECCA/Q-BORO
DBRKLYN CLASSIC IN THE STUDIO!!!
CONSTANT ON THE KEYBOARD DOIN' IT UP, SUMECCA DOIN' THE HOOK TO THAT NY CRUNK. Q-BORO FILMING, BUT DON'T GET IT TWISTED... HE KILLED IT ON THE 3rd VERSE. double infinity
CONSTANT ON THE KEYBOARD DOIN' IT UP, SUMECCA DOIN' THE HOOK TO THAT NY CRUNK. Q-BORO FILMING, BUT DON'T GET IT TWISTED... HE KILLED IT ON THE 3rd VERSE. double infinity
BOGARD
BOGARD OFFICIAL!!! ASTORIA GITTIN' IN IT!!! ANOTHER 100G's THROUGH THE HOOD BACK IN THE BOOTH. 100G'S/DOUBLE INFINITY... WE DOIN' IT!!!
PRICELE$$
AQ - ASTORIA QUEENS
WHETHER YOU IN THE FRONT OR THE BACK; AT THE 2-4 OR WHERE THE JUICE BAR WAS... YOU WILL FIND HIP HOP AS SOON AS YOU WALK THROUGH THE PARK OR COME IN FROM 1st St. ASTORIA LITERALLY HOUSES THE ESSENCE OF HIP HOP. PRICELE$$ IS JUST ONE OF AQ's FRANCHISES COMING OUT FOR THAT BREAD. 100G's!!!
Friday, January 23, 2009
Salute to Fallen Soldiers
This is just a little insight to what is really goin' on out in the desert and in the mountains. The only way to really get an true understanding of what's really happenning is to be there... I'm just glad I made it back.
R.I.P. Windy 100
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